Little Women

Writer and director: Greta Gerwig, adapted from the 1868 novel by Louisa May Alcott

Cast: Saoirse Ronan, Emma Watson, Florence Pugh, Eliza Scanlen, Laura Dern, Meryl Streep, Timothée Chalamet, James Norton

2 hrs 15 mins, USA 2019

Watched by Ismay, Muffet and Sarah at the Watershed, and by Diana Hendry and Hamish Whyte at the Crouch End Picture House in London

What a terrific film with which to kick off the new decade: the tender, funny, passionate story of four glorious, loving, high-spirited sisters, the March girls, growing up in genteel poverty in Concord during the American Civil War; over seven years we follow their journeys towards the finding of their authentic grown-up selves.

all4 on beachIsmay: I may have cried from start to finish but from what I could see through my tears the film was as brilliant as I expected. The four sisters are so individual (and brilliantly acted), but the bond they share is unbreakable. There is no love greater than a sister’s love.

Writer and director Greta Gerwig most brilliantly gives us Louisa May Alcott’s own story of becoming a writer – and writing Little Women – to add depth and richness of texture and emotion to the fictional story of Jo March, the second eldest of the four, and her determination to earn her independent living as a writer, and to financially support her mother and sisters.

Saoirse Ronan is mesmerising as tempestuous, tomboyish, clever Jo. (She played the central character, Lady Bird, in Gerwig’s 2018 film of that name.) We see her anguished and lonely in New York, but the (male) notion of the writer as lonely genius is subverted. jo 3Jo is helped to find her authentic writing voice by gentle, piano-playing Beth (Eliza Scanlen) during Beth’s dying days. Beth tells Jo she prefers listening to Jo’s stories of everyday life above her stories of duelling and derring-do. And it’s blonde, pretty Amy (Florence Pugh) – favoured by wicked old Aunt March (Meryl Streep) for her looks and her pragmatic understanding of the marriage market – who tells Jo that she doesn’t have to write about important things: rather, that the very act of writing about them makes them important. Including the lives of girls and women.

I found it incredibly moving when towards the end we see through Jo’s eyes the physical creation of the book she has written. In a kind of loving trance we watch the typesetting and printing, the pages pressed, cut and stitched together, the pasting on of the calfskin cover, the title and author’s name stamped into the cover and lightly dusted with gold leaf. Little Women by L. M. Alcott. Glorious!

Diana Hendry: Hamish liked it a lot more than I did!  He said the ‘thread’ was about the writing of the book. (SLF: I agree with Hamish, see above.) I thought it a bit too sweet and that the family didn’t look poor enough! When we came home and I found my childhood’s copy of the book, I saw that I’d written at the end ‘poor ending, a bit preachy but otherwise very good’. I must have been eleven at the time and my own sister had just got married. I put her address into my copy of the book so I knew where to find her.

Muffet: I thought the film was well-made and I enjoyed it even tho I couldn’t always catch what they were saying, my hearing not being what it was. It seemed to represent the book quite well, not that it’s one of my favourites. And there was bit too much hugging for me.

All four girls are brilliant! With their hair! And their dresses! Their joyousness and generosity! And yet, as Greta Gerwig herself points out (in an interview with Eliza Berman, courtesy Watershed print-out), the film is centrally and seriously about women, ambition, art and money. with marmeeAnd let’s not forget the mother, Marmee (Laura Dern), who famously suggests to her four daughters that they give away their special Christmas breakfast to a poor starving family in the village (it featured as a question on this year’s Christmas University Challenge); she is the one who says ‘I am angry nearly every day of my life’. I didn’t remember that from the book, but Greta Gerwig says that every word of the dialogue is taken either from Alcott’s novel or from her journals or other writings. The film celebrates women’s rage and desire, as well as loving sisterhood.

Louisa May Alcott alcott 3

One thought on “Little Women

  1. Loved the film, Such energy & clever how it interlaced living the childhood & writing the book. In Real Life Alcott stayed single & married Jo off bc she felt she had to ( same as in the film) But in the book, if you remember, Prof Bhaer is old & stout, a kind of father figure in a big Ugly overcoat , I felt v cheated as a child that jo (with whom I & x million other girls completely identified) should marry him. Film made him as good looking as Laurie! Ah well, you have to do more to please the crowd now than then! Interestingly I read that Alcott told an interviewer ‘I am more than half- persuaded that I am a man’s soul put by some freak of nature into a woman’s body….bc I have fallen in love with so many pretty girls & never once the least bit with any man’ (interesting that she used image trans people use now but seems clear she meant lesbian but could not believe that such a thing was possible, so must ‘really’ be a man) In fact she did have a romance with a young Polish man while in Europe – ‘Laddie‘, she said the model for Laurie.

    Like

Leave a Reply

Fill in your details below or click an icon to log in:

WordPress.com Logo

You are commenting using your WordPress.com account. Log Out /  Change )

Google photo

You are commenting using your Google account. Log Out /  Change )

Twitter picture

You are commenting using your Twitter account. Log Out /  Change )

Facebook photo

You are commenting using your Facebook account. Log Out /  Change )

Connecting to %s